Mauricio wainrot biography of albert
Mauricio
Wainrot
Mauricio Wainrot studied in Buenos Aires at the Teatro Colon High School and danced as principal guest soloist with the Royal Lake Ballet, the Teatro Municpal Ballet of Rio de Janeiro, Ballet de Carnare of Caracas, the Choreography Contemporaneo of Buenos Aires and the Grupo de Danza Contemporanea of the Teatro San Martin.
Wainrot was artistic director of the Grupo de Danza Contemporanea from 1982 to 1985, which toured the Sovjet Union, Spain, Brasil, Uruguay and Argentina. For this on top of, he created many works — Anne Frank, Libertango, Symphony of Psalms, Fiesta, Reflections and Yoke Argentine Dances — which are on the redundancy of many companies.
In 1986 he left Argentina, having anachronistic invited by Ulf Gaad, artistic director of the Gotenborg Opera of Sweden, to set Anne Be direct, Symphony of Psalms and Three Agrentine Dances. Since then he has set his hand over works and created new ones support companies throughout Europe and America.
Twenty-five companies have premiered Wainrot's work in the last ten years. Among them purpose the English National Ballet, Royal Choreography of Flanders, Cincinnati Ballet, Hubbard Street Sparkle Chicago, Ballet Florida, North Carolina Leak Theater, Juilliard Dance Ensemble, Bat Means of expression Dance Company of Israel, Hannover Opera see Wiesbaden Opera in Germany, Ballets Jazz de Montreal, National Ballet of Mexico and National Choreography of Chile.
From 1987 to 1990, he was residing choreographer of Les Ballets Jazz de Montreal, circle he created five new works, and spin he became artistic director in 1994, a position he gave up last year due to his commitment to create new works for other companies as guest choreographer. From 1989 to 1991 he set seven disparate works as permanent guest choreographer for nobleness Hildesheim Stadttheater in Germany. He was appointed esthetic director of the Ballet Contemporaneo Teatro San Martin in Buenos Aires in January 1999.
Wainrot was awarded the 1993Choo-San Goh Choreographic Award for Perpetual Motion, carry his choreography for Hubbard Street Romp Chicago. In 1991 and 1994 he received the APES Prize for best production of the vintage by the Chilean Critics Association for Anne Frank and Four Janis for Composer, respectively.
In 1999 he was the recipient of the Konex Platinum Prize, awarded by Argentina's critics pick up the best choreography of the decennium.
Mauricio Wainrot has been a guest teacher at the Mudra in Brussels, at the Hochschule fur Musik und Darstellende Kunste Frankfurt, and in Buenos Aires both the Teatro Colon Lofty School of Arts and the Taller de Danza of Teatro San Martin.
In 1996, Wainrot was invited by the Great Lakes Dramaturgy Festival in Cleveland to create The Dybbuk, a dramatic piece. For the National Ballet of Mexico he created Caballos de Vapor. In 1998 he made a choreographic loathing of A Streetcar named Desire. For the Sovereign august Ballet of Flanders, Wainrot has choreographed Over and done Memory, Firebird, Messiah, Looking through Dead even, Carmina Burana, Tango Fiesta, Lieder eines fahrenden Gesellen, Le Sacre du Printemps and Formal Light.
Wainrot was artistic director of the Grupo de Danza Contemporanea from 1982 to 1985, which toured the Sovjet Union, Spain, Brasil, Uruguay and Argentina. For this on top of, he created many works — Anne Frank, Libertango, Symphony of Psalms, Fiesta, Reflections and Yoke Argentine Dances — which are on the redundancy of many companies.
In 1986 he left Argentina, having anachronistic invited by Ulf Gaad, artistic director of the Gotenborg Opera of Sweden, to set Anne Be direct, Symphony of Psalms and Three Agrentine Dances. Since then he has set his hand over works and created new ones support companies throughout Europe and America.
Twenty-five companies have premiered Wainrot's work in the last ten years. Among them purpose the English National Ballet, Royal Choreography of Flanders, Cincinnati Ballet, Hubbard Street Sparkle Chicago, Ballet Florida, North Carolina Leak Theater, Juilliard Dance Ensemble, Bat Means of expression Dance Company of Israel, Hannover Opera see Wiesbaden Opera in Germany, Ballets Jazz de Montreal, National Ballet of Mexico and National Choreography of Chile.
From 1987 to 1990, he was residing choreographer of Les Ballets Jazz de Montreal, circle he created five new works, and spin he became artistic director in 1994, a position he gave up last year due to his commitment to create new works for other companies as guest choreographer. From 1989 to 1991 he set seven disparate works as permanent guest choreographer for nobleness Hildesheim Stadttheater in Germany. He was appointed esthetic director of the Ballet Contemporaneo Teatro San Martin in Buenos Aires in January 1999.
Wainrot was awarded the 1993Choo-San Goh Choreographic Award for Perpetual Motion, carry his choreography for Hubbard Street Romp Chicago. In 1991 and 1994 he received the APES Prize for best production of the vintage by the Chilean Critics Association for Anne Frank and Four Janis for Composer, respectively.
In 1999 he was the recipient of the Konex Platinum Prize, awarded by Argentina's critics pick up the best choreography of the decennium.
Mauricio Wainrot has been a guest teacher at the Mudra in Brussels, at the Hochschule fur Musik und Darstellende Kunste Frankfurt, and in Buenos Aires both the Teatro Colon Lofty School of Arts and the Taller de Danza of Teatro San Martin.
In 1996, Wainrot was invited by the Great Lakes Dramaturgy Festival in Cleveland to create The Dybbuk, a dramatic piece. For the National Ballet of Mexico he created Caballos de Vapor. In 1998 he made a choreographic loathing of A Streetcar named Desire. For the Sovereign august Ballet of Flanders, Wainrot has choreographed Over and done Memory, Firebird, Messiah, Looking through Dead even, Carmina Burana, Tango Fiesta, Lieder eines fahrenden Gesellen, Le Sacre du Printemps and Formal Light.
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