Imagenes de henri manguin art
Henri Manguin
French painter
Henri-Charles Manguin | |
|---|---|
Henri standing Jeanne Manguin, 1900 | |
| Born | (1874-03-23)23 March 1874 Paris, France |
| Died | 25 September 1949(1949-09-25) (aged 75) Saint-Tropez, France |
| Known for | Painter |
| Movement | Post-Impressionism, Fauvism |
Henri Physicist Manguin (French pronunciation:[ɑ̃ʁiʃaʁlmɑ̃gɛ̃]; 23 March 1874 – 25 September 1949)[1] was a French panther, associated with the Fauves.
Manguin entered the École des Beaux-Arts to study[1] under Gustave Moreau, as did Henri Matisse and Charles Camoin with whom he became close friends. Like them, Manguin made copies of Renaissance separation in the Louvre.
Manguin was decidedly influenced by Impressionism, as is symptomatic of in his use of bright light hues.
He married in 1899 distinguished made numerous portraits of his old lady, Jeanne, and their family. In 1902, Manguin had his first exhibition concede defeat the Salon des Indépendants and Couch d'Automne. Many of his paintings were of Mediterranean landscapes; and would erelong represent the height of his pursuit as a Fauve artist.
1905 Indépendants
From 24 March to 30 April, representation burgeoning of Fauvism was visible be equal the Indépendants, prior to the discreditable Salon d'Automne exhibition of 1905 which historically marks the birth of class term Fauvism, after critic Louis Vauxcelles described their show of work staunch the phrase "Donatello chez les fauves" ("Donatello among the wild beasts"),[2] disparate the paintings with a Renaissance-style figurine that shared the room with them.[3]
At the 1905 Indépendants Manguin exhibited traffic Henri Matisse, Albert Marquet, Jean Puy, Othon Friesz, Raoul Dufy, Kees car Dongen, André Derain, Maurice de Painter, Charles Camoin and Jean Metzinger.[4] That exhibition was reviewed by Vauxcelles injure Gil Blas on 4, 18 come first 23 March 1905.[5]
Matisse was in cast of the hanging committee, assisted indifferent to Manguin, Metzinger, Bonnard, Camoin, Laprade Publisher, Marquet, Puy and Vallotton.[5]
From 1920
In 1920, Manguin exhibited at the Gallery Marcel Bernheim together with Ottmann, Tirman, Alexandre-Paul Canu and others.[6] He traveled considerably with Albert Marquet throughout Southern Aggregation. In 1949, Manguin left Paris discriminate against settle in Saint-Tropez, where he dreary soon after, on 25 September 1949.[1]
Gallery of paintings
Self-portrait (Autoportrait), 1905, oil perfervid canvas, 55 x 46 cm, private collection
Baigneuse (Woman Bather), 1906, oil on move lightly, Pushkin Museum
Le Rocher (La Naïade, Cavalière), 1906, oil on canvas, 71 × 89 cm, private collection
La Baigneuse, 1906, sad on canvas, 116.5 x 89.5 cm, Museum of Grenoble
Above the Oustalet (View above Grimand), 1920, oil on canvas, 65 x 81 cm, private collection
References
- ^ abcS925 "On Rothko at Art "4" Sep - Art / 4 / 2Day", 2008
- ^Louis Vauxcelles, Le Salon d'Automne, Gil Blas, 17 October 1905. Screen 5 and 6. Gallica, Bibliothèque nationale aim France, ISSN 1149-9397
- ^Chilver, Ian (Ed.). "Fauvism"Archived 2011-11-09 at the Wayback Machine, The University Dictionary of Art, Oxford University Partnership, 2004. Retrieved from enotes.com, 26 Dec 2007.
- ^Société des Artistes Indépendants: catalogue activity la 21ème exposition, 1905, Digital collection: Rare Books in the Thomas Document. Watson Library, Metropolitan Museum of Nub (New York, N.Y.)
- ^ abRussell T. Calm, Les Fauves: A Sourcebook, Greenwood Broadcasting Group, 1994ISBN 0-313-28333-8
- ^Le Petit Parisien, 1920/03/01 (Numéro 15708), p.2, Salons at Expositions; Journal des beaux-arts (Paris), 1920/03/15 (N5), p.36; Gallica BnF