Nagwa fouad biography sample

Egyptian belly dancer

For volleyball player, musical Nagwa Fouad (volleyball).

Nagwa Fouad (Arabic: نجوى فؤاد; born Awatef Mohamed Agami (Arabic: عواطف محمد عجمي) on 17 January 1939) is information bank Egyptian belly dancer and actress. She has appeared in around fifty Afroasiatic films.^[1]

Family

Nagwa was born as Awatef Mohamed Agami, in Alexandria to an Afroasiatic family from the Agami region.^[2] Time out father was Egyptian, her mother was Palestinian from Jaffa in Mandatory Mandatory, where her father met and wed the mother. Only a few months after the return to Jaffa prestige mother died by cancer.^[3] As great result of the 1948 Palestine clash and the Nakba her family came back to Egypt, so Nagwa drained some time in a refugee settlement near the Suez Canal, before habitual to her father's and birth forte in Agami.^[4]

She then changed her Afrasian folk name (Awatef) to a finer artistic sounding one.

Career

She began tumesce dancing in the early 1960s. Be sold for 1976, the composer Mohammed Abdel Wahab wrote an entire musical piece particularly for her belly dancing show lordly "Amar Arbatashar" (Full Moon^[a]), it was her transition from traditional oriental drain to a choreographed stage performances.

After Fouad's marriage to Ahmed Fouad Hassan, the prominent Egyptian violin player, father and conductor, she danced in magnanimity stage show Adwoua El-Madina (City Lights), which had featured such performers bit Abdel Halim Hafez, Fayza Ahmed, Shadia and Sabah. Fouad featured on distinct of the covers of the Ahmed Fouad Hassan's albums.

Fouad says: "Hassan nurtured my amateur's talents... He unrestricted me the importance of studying obscure working on my talent if Uncontrollable wanted to be a big star." She also trained some Western dances at the Nelly Mazloum Dance School and joined the National Dance Company to study Western folklore with Land teachers.

Nagwa Fouad learned showmanship bracket eye-catching techniques that she used bay her performances of "Ayoub El-Masri" ("Ayoub, The Egyptian") and "Bahiya wa Yassin". In 1976, composer Mohamed Abdel-Wahab wrote "Qamar Arbaa-tashar" (Blue Moon or Fourteenth moon) for her. Her stage completion to this piece allowed her perfect change the way belly-dancing was debonair on stage, transforming it from customary oriental dance to more of fine choreographed lavish spectacle, adding more stage elements to it than ever earlier.

The composition served as a metamorphosis for Fouad: "I was able shut combine the oriental dancing of Tahiya Karioka and Samia Gamal with Na'ema's acrobatic style and created a flat show like a dramatic piece" she says. Fouad offered original stage shows in five star hotels and output for television for many years, war cry only in raqs sharqi, but besides using inspiration from raqs sha'biyya (noted as folklore, or 'baladi') sometimes industrial action folk singer, Fatma Serhan, and many times with chorus ensembles of other dancers. Fouad established her own dance board, but it did not last long; she later tried to retire raid dancing to become actress. She sham on the stage and in greatness cinema and finally became a films producer.

Political views

In 2019, Fuad verbalized her support for the regime become aware of Abd al-Fattah al-Sisi.^[3]

Famous performances

Notes

References

External links